
St. Lawrence's Church↗
Birgu's large Baroque church, designed by Lorenzo Gafa and finished in 1696, standing above the marina and once the Knights' first conventual church.
Malta counts its parishes by the dome. Each village church is the tallest thing around, and the grandest ones hold works by Caravaggio and Mattia Preti.


Birgu's large Baroque church, designed by Lorenzo Gafa and finished in 1696, standing above the marina and once the Knights' first conventual church.

The neo-Gothic parish church at Balluta Bay, on the border of Sliema and St Julian's, rebuilt after the war and lit in the evening.

The large Baroque collegiate church of Cospicua, with twin bell towers, grand staircases and an interior full of statues and paintings.

A small Valletta church by Girolamo Cassar, rebuilt by the Jesuits, that holds relics of St Paul and tells the story of Malta's conversion.

The Rotunda of Mosta, a neo-classical church with a dome 37 metres across, where a German bomb pierced the roof in 1942 and failed to explode.

The parish church of St Joseph in Msida, built in 1889 to replace the old church of the Immaculate Conception, in a busy town near Valletta.

The Baroque parish church in the centre of Rabat, built from 1653 over the grotto traditionally linked to St Paul, with a statue given by Grand Master Pinto.

A round votive church on Triq Sarria in Floriana, rebuilt in 1676 after the plague and lined with large canvases by Mattia Preti.

A small church on Merchants Street in Valletta, first built in 1576 for the Knights and rebuilt in later years, close to Victory Square.

A fortified Dominican priory in Rabat, begun in 1457, with an arched courtyard, old sundials and a church of Our Lady of the Grotto.

The Knights' conventual church in Valletta, plain outside and gilded within, with a marble floor of tombs and two Caravaggio paintings in the oratory.

A small wayside chapel on the Dingli Cliffs, first recorded in 1446 and rebuilt in 1646, known locally as the chapel of the cliffs.

A neoclassical Anglican church on West Street in Valletta, funded by Queen Adelaide, started in 1839 and finished in 1844, with a spire seen across Marsamxett.

Mdina's cathedral, rebuilt by Lorenzo Gafa after the 1693 earthquake and consecrated in 1702, with an inlaid floor, a two-dial clock and a museum opposite.

Floriana's large parish church, begun in 1733, with a colonnade, twin bell towers and an interior in purple, cream, gold and turquoise.

Gozo's Baroque cathedral inside the Cittadella of Victoria, designed by Lorenzo Gafa and dedicated in 1716, with a painted dome instead of a built one.

Gozo's national shrine near Għarb, built between 1920 and 1931 around an older chapel, with a 61-metre bell tower and an ex-voto museum.
Count the domes from any high point and the number is startling. Churches in Malta are not an add-on to the sightseeing, they are the architecture. Villages competed for the grandest parish church for centuries, and the outcome is a landscape of domes, bell towers and carved stone facades, often out of proportion to the streets around them. Inside, there are altar pieces, painted ceilings and silver, and several of the largest hold art of European importance.
Seventeen are covered here. They range from a Baroque cathedral in a walled citadel to a small chapel by the Dingli Cliffs, and from a church of the Knights to an Anglican one.
Start with St. John’s Co-Cathedral, the Knights’ conventual church. The outside is plain, almost severe, and the interior is gilded, with a marble floor of tombs and two Caravaggio paintings in the oratory. It draws large visitor numbers, so go early or late in the day.
Valletta has others within a few streets. The Church of Saint Paul’s Shipwreck was designed by Girolamo Cassar, rebuilt by the Jesuits and holds relics of St Paul. St. Catherine of Italy Church is a small church on Merchants Street first built in 1576, and St. Paul’s Anglican Cathedral, funded by Queen Adelaide and finished in 1844, shows a neoclassical side of the city.
Just outside Valletta, St. Publius Church in Floriana has a colonnade, twin bell towers and an interior in purple, cream, gold and turquoise. Sarria Church is round, rebuilt in 1676 after the plague, and lined with large canvases by Mattia Preti.
On the other side of the Grand Harbour, St. Lawrence’s Church in Birgu was designed by Lorenzo Gafa and finished in 1696, and the Church of Our Lady of the Immaculate Conception in Cospicua is a large collegiate church with twin bell towers.
Near the middle of the island, the Mosta Dome is the one that most visitors know by its silhouette. A German bomb pierced the roof in 1942 and failed to explode, and the church has been a standard stop ever since.
The old capital has its own cathedral. St. Paul’s Cathedral was rebuilt by Lorenzo Gafa after the earthquake of 1693 and consecrated in 1702, with an inlaid floor and a two-dial clock. In nearby Rabat, the Parish Church of St Paul stands over the grotto traditionally linked to the saint, and St. Dominic’s Convent is a fortified priory begun in 1457. The catacombs are a short walk away.
At Dingli, the St. Mary Magdalene Chapel is the opposite end of the scale: a small wayside chapel first recorded in 1446 and rebuilt in 1646, standing at the edge of the cliffs. It rewards a visit at sunset.
The Cathedral of the Assumption is inside the walled Cittadella of Victoria, with a Baroque interior and a position that looks across the island. In the west near Għarb, the Ta Pinu Basilica is Gozo’s national shrine, built between 1920 and 1931 around an older chapel, with a 61-metre bell tower and a museum of ex-voto offerings.
Not every church is a landmark, and some of the best stops are the ordinary ones. The Church of Our Lady of Mount Carmel is a neo-Gothic parish church at Balluta Bay, on the border of Sliema and St Julian’s, so it fits neatly into an evening walk along the promenade. The Msida Parish Church, dedicated to St Joseph and built in 1889 to replace the old church of the Immaculate Conception, stands in a busy town near Valletta and is easy to reach by bus.
These smaller churches are usually open at set times of day and often shut in the middle of the afternoon, so a morning call is the safer plan. Inside, expect a cool, quiet floor, which is a welcome rest on a hot day.
Dress with shoulders and knees covered, carry a light scarf, and keep voices low. Services have priority, so check the current visiting hours and expect restricted access on Sundays and feast days. February, for example, holds the Feast of St. Paul’s Shipwreck on 10 February, a public holiday, and parish feasts fill the summer calendar in villages.
Match the churches to the day. Valletta suits a morning on foot, central Malta a short stop on a drive, and Gozo’s two main churches a day of their own. Photography rules differ from church to church, so look for signs before raising a camera.
St. John's Co-Cathedral in Valletta is the best known. It is plain outside and gilded within, with a marble floor of tombs and two Caravaggio paintings. The Mosta Dome is the other main landmark, with a dome 37 metres across, and Ta Pinu is the national shrine of Gozo.
Churches are working places of worship, and many ask visitors to cover shoulders and knees. Carrying a light scarf or shirt solves it on hot days. Some churches limit visiting during services, so check the current hours and be prepared to wait.
Many parish churches can be entered freely, though a donation is welcome. Some, including the larger cathedrals and museums attached to them, charge for entry or for a particular area. Check current entry rules before travelling, because they change from church to church and from season to season.
A German bomb pierced the roof of the Rotunda of Mosta in 1942 and failed to explode. The church is a neo-classical building with a dome 37 metres across. Today it is a main landmark of the town and a regular stop on routes through central Malta.
The Cathedral of the Assumption stands inside the Cittadella in Victoria, and the Ta Pinu Basilica lies near Għarb, built between 1920 and 1931 around an older chapel. Both are worth a visit, and the Cittadella pairs with a walk along its ramparts.